繪畫所劃破的痕跡，
那自然未有的方圓；
成了極精密的虛擬，
也是最基礎的真實。
The lines drawn by painting's hand,
Shapes not found in nature’s plan,
Become the most precise virtual,
Yet echo the simplest truth we understand.
「人間劇場」Parasite Theater(2020)
“當奧斯修斯回到伊薩卡島，當他醒來，沒有人辨認出他的身份，他是誰，他也認不出自己的家鄉。雅典娜只得現身，並向他保證這就是他的伊薩卡。”
"When Odysseus returned to Ithaca, when he awoke, no one recognized him—who he was, and he could not recognize his own homeland either. Athena had to appear and reassure him that this was indeed his Ithaca."
——
除了從社會事件的親曆者處得來創作的來源之外，圖像能否承載“純粹過去”的永生媒介和記憶支撐？在此，彌合“回不去的”客途下，重構一個象徵意義上完整的“家”。
Beyond drawing inspiration from social events as experienced by direct participants, can images serve as an immortal medium and support for “pure past” memories? Here, under the reconciliation of the “irretrievable” journey, a symbolically complete “home” is reconstructed.
“當奧斯修斯回到伊薩卡島，當他醒來，沒有人辨認出他的身份，他是誰，他也認不出自己的家鄉。雅典娜只得現身，並向他保證這就是他的伊薩卡。”
"When Odysseus returned to Ithaca, when he awoke, no one recognized him—who he was, and he could not recognize his own homeland either. Athena had to appear and reassure him that this was indeed his Ithaca."
——
除了從社會事件的親曆者處得來創作的來源之外，圖像能否承載“純粹過去”的永生媒介和記憶支撐？在此，彌合“回不去的”客途下，重構一個象徵意義上完整的“家”。
Beyond drawing inspiration from social events as experienced by direct participants, can images serve as an immortal medium and support for “pure past” memories? Here, under the reconciliation of the “irretrievable” journey, a symbolically complete “home” is reconstructed.
「人間築」 Monolith Series（2020）
記憶作為集體的情感紐帶,是將人們以共同的身份聯繫在一起,比如元宇宙的開發,依然以現實的空間進行構建,其中的遊園體驗某種程度上是依賴群體互動1記憶保持鮮活,在觀看視覺上的「奇觀」,某種程度上也是在重塑觀眾「他者」的體驗,以及嘗試捕捉住猿人在第一次觀看「黑方體」時的那不可知的神秘.
——
Memory, as a collective emotional bond, connects people through a shared identity. For instance, the development of the metaverse still constructs based on real-world spaces. The experience of virtual parks, to some extent, relies on the collective memory of group interactions to remain vivid. In viewing visual "spectacles," it is also, in a way, reshaping the audience's experience as the "other" and attempting to capture the same unknowable mystery that the early human felt when first encountering the "monolith."
記憶作為集體的情感紐帶,是將人們以共同的身份聯繫在一起,比如元宇宙的開發,依然以現實的空間進行構建,其中的遊園體驗某種程度上是依賴群體互動1記憶保持鮮活,在觀看視覺上的「奇觀」,某種程度上也是在重塑觀眾「他者」的體驗,以及嘗試捕捉住猿人在第一次觀看「黑方體」時的那不可知的神秘.
——
Memory, as a collective emotional bond, connects people through a shared identity. For instance, the development of the metaverse still constructs based on real-world spaces. The experience of virtual parks, to some extent, relies on the collective memory of group interactions to remain vivid. In viewing visual "spectacles," it is also, in a way, reshaping the audience's experience as the "other" and attempting to capture the same unknowable mystery that the early human felt when first encountering the "monolith."
繪畫所劃破的痕跡，
那自然未有的方圓；
成了極精密的虛擬，
也是最基礎的真實。
The lines drawn by painting's hand,
Shapes not found in nature’s plan,
Become the most precise virtual,
Yet echo the simplest truth we understand.